Vampire Halloween Makeup - Shadows

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  • Roger Riggle
    Roger Riggle Make Up, LLC
    www.rogerriggle.com  
    (301) 948-6527 x3

    Roger Bennett Riggle has been a licensed, professional make up artist for over 20 years. He began at Kinetic Artistry, a theatrical supply house in Takoma Park, MD. During his 10 years there, Roger managed the make up department -7 different lines; sales, consultation and artistry.

    Roger has hosted numerous Washington, D.C instructional seminars for area artists; everything from beauty and photography make up to Halloween transformations and special effects make up techniques. Roger worked for over 10 years as the make up artist for Tom Radcliffe, a leader in headshot photography at the Point of View Studio also in Takoma Park, MD. Roger applied the photographic make up to thousands of actors, sports celebrities, musicians and opera singers.

    Roger specializes in Halloween make-overs and the transforming of personalities for diverse, special events. In addition, Roger has created special make up effects for disaster simulation used in the training of nurses, doctors and EMS personnel. His credits include triage exercises at the Baltimore/Washington International Airport, for the Secret Service, and for the UHUHS military training facility. Roger has also designed for numerous theatrical productions which entails researching and articulating the authenticity of period styles.

    Roger has a degree in drama from the Catholic University of America, Washington, D.C. and, since 1978, has choreographed, directed and produced numerous operas and musical theatre productions. For eight years, Roger was the Associate Producer of TheatreFest, theatre-in-residence program, at Montclair State University, Montclair, N.J. Roger has worked with many celebrities including: Leslie Uggams, Susan Lucci, Debbie Reynolds, Kim Zimmer, Pattie LuPone and Betty Buckley. Roger has directed operas at the annual Amalfi Music Festival in Italy . He is a member of the Society of Stage Directors and Choreographers. Roger is the make up consultant for Parlights, Inc. in Frederick, MD, a leading theatrical supply house for the greater Washington/Baltimore areas.

  • Vampire Halloween Makeup - Shadows

     

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    Tags:

    Vampire

    ,

    Bites

    ,

    Makeup

    ,

    Halloween

    ,

    Dracula

    ,

    Teeth

    ,

    Fangs

    ,

    Fake hair

    ,

    Spirit gum

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  • Transcripts

    <p>Roger Bennett Riggle: My name is Roger Bennett Riggle and we are doing a vampire transformation today. At this point, we are going to lay in the shadows on the face. So, I have picked up the non-latex sponge and remember we are using the Cadaver grey. So, I am going to add in some kind of dead shadow colors and the first thing I want to do is to shadow in the temple, so I give him a real 3D structure. Just as the temple bone breaks right here and you can feel it with your hand and it is in an arch. You want to dab some color in that arch, right there at the corner of the eye.</p><p>The same thing applies for underneath the cheekbone, don't put the shadow on the cheekbone, but you can take your forefinger and press up and feel your cheekbone and that is the line of color that you want to follow and we are going to make the figure of half of a square. So I will show you, we will start darker at the back of the ear and I am just going to pat this color forward and we can come down like that. I am going to put a little more makeup on my sponge and we can also contour and make real sharp and debonair this jawline.</p><p>Then I can take a clean part of my sponge and I can pull this down and blend it into the makeup foundation I have already applied. Remember, we are using all creams, so the creams blend into each other and as we have talked before two colors blended into each other make three colors. You can always use the makeup part of your sponge to add a little bit more and we can blend that nicely into the fairest foundation color and then I want to take this shadow and blend it down underneath the jawline and I am going to let it fade basically to nothing. Then I usually step away and look and see that yes, I have some of my contour color in and I am in good shape to do the same, exact application to the other side of his face.</p>

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